Episode 94. The Climb Out Of Pride: PURGATORIO, Canto XII, Lines 73 - 99

Dante and Virgil begin to leave the terrace of pride and all its art, but not before Virgil returns to form, becoming the guide to the afterlife with a penchant for quoting himself and not before an angel must guide them to the stairs, an angel who carries in his face an implicit reference to Lucifer (that is, Satan).

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PURGATORIO, Episode 73. Screeching And Singing Into Purgatory Proper: PURGATORIO, Canto IX, Lines 130 - 145

Dante and Virgil finally enter Purgatory proper in a passage that’s a strange amalgam of Lucan and Virgil, Roman history and Christian resolution, screeching and singing, warnings and blessings, the Bible and Ovid—and complete mash-up of all that makes our walk across the known universe with Dante so intriguing.

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PURGATORIO, Episode 72. Of Keys, Gates, And Letters On The Forehead: PURGATORIO, Canto IX, Lines 106 - 129

Dante arrives at the gate of Purgatory—but not without Virgil’s effort. Hauled up the steps, Dante then sees the angel more clearly, particularly the angel’s ashy robes. That angel has two jobs: to open the door with his two keys and to carve seven letters into Dante’s forehead. Like so much of COMEDY, this passage is remarkably murky and yet psychologically astute.

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PURGATORIO, Episode 71. Three Steps Up To The Gate And Into An Interpretive Quagmire: PURGATORIO, Canto IX, Lines 94 - 105

Dante and Virgil see the three steps to the entrance of Purgatory proper with an angel sitting on up at the very threshold to the next realm. But these steps have caused 700 years of interpretive fury. They’re allegorical, to be sure. But maybe there’s a way to scrape the critical apparatus off the steps and see these steps in a new way.

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PURGATORIO, Episode 70. The Forbidding Angel At The Gate: PURGATORIO, Canto IX, Lines 79 - 93

Dante had seemed so full of confidence when he found out his dream of fire and rape was not true but instead a representation of his being carried by Lucy up the mountain as he slept. But when Dante the pilgrim gets in front of the guardian of Purgatory’s gate, the angel proves so forbidding that the pilgrim falls silence. Fortunately, Virgil is ever ready to speak up.

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PURGATORIO, Episode 63. The Sun Sets On The Classical Landscape: PURGATORIO, Canto VIII, Lines 85 - 108

As Dante the pilgrim stares up at the stars in PURGATORIO’s dale of negligent rulers and as the snake enters the redeemed landscape of the poem, we may finally be witnessing the setting of the infernal mindset of COMEDY as well as the setting of the poem’s classical “landscape.”

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PURGATORIO, Episode 60. The First Angels Descend From Heaven: PURGATORIO, Canto VIII, Lines 19 - 45

Still on the cusp of the valley of the negligent rulers, Dante sees the first two angels descending from heaven in PURGATORIO. (The previous angel was a boatman who ran the route between a spot in Italy and the mountain.) It’s a deeply mystical passage that seems to get deflated at its end and as we learn this is a nightly bit of street theater.

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